Character flaws is interesting to me only if it gives the characters more pressure, not just more trailer drama.
It starts by admitting what we do not know yet, then looking at the details that would be hard to fake in the final game: how systems interact, how the world reacts, and whether balancing drama and satire gives players something to do rather than something to argue about.
Lucia and Jason need scenes where trust, fear, bad timing, and loyalty actually matter. If the story only jumps from set piece to set piece, the characters risk becoming cool posters instead of people players argue about.
Русский вывод: В сюжете важны не только большие ограбления и погони. Нужны сцены, где видно характер, ошибки, доверие и давление на персонажей.
That is why I would rather discuss one concrete thing: What question about character flaws would you want Rockstar to answer first? What should a newcomer understand first? Which older Rockstar lesson applies here?
It starts by admitting what we do not know yet, then looking at the details that would be hard to fake in the final game: how systems interact, how the world reacts, and whether balancing drama and satire gives players something to do rather than something to argue about.
Lucia and Jason need scenes where trust, fear, bad timing, and loyalty actually matter. If the story only jumps from set piece to set piece, the characters risk becoming cool posters instead of people players argue about.
Русский вывод: В сюжете важны не только большие ограбления и погони. Нужны сцены, где видно характер, ошибки, доверие и давление на персонажей.
That is why I would rather discuss one concrete thing: What question about character flaws would you want Rockstar to answer first? What should a newcomer understand first? Which older Rockstar lesson applies here?